Sunday 27 October 2019, 7.30pm
Negativland's new album is TRUE FALSE, and their new live show is NO BRAIN. Teaming up with hands-on video artist Sue C., the legendary sound collage groups new performance project is about our nervous systems, our realities, and the evolving forms of media and technology that inevitably insert themselves between them. Original music, found sounds, unique visuals, Boopers, and a few surprises....NO BRAIN will all make sense eventually.
Read Negativland's bio for more background on this unclassifiable and uniquely American experimental music and art group.
https://www.negativlandtruefalse.com/about
https://www.negativlandtruefalse.com/truefalse-preorder
“Declared heroic by their peers for refashioning culture into what the group considers to be more honest statements, Negativland suggests that refusing to be original, in the traditional sense, is the only way to make art that has any depth within commodity capitalism.” - NEW YORK TIMES
“Negativland isn’t just some group of merry pranksters; its art is about tearing apart and reassembling found images, objects, and sounds to create new ones, in an attempt to make social, political and artistic statements. Hilarious and chilling.” - THE ONION
Based in the UK, Vicki Bennett has spent decades pioneering the art of audio-visual plunderphonics. Digging deep into archival media, she cuts and pastes found audio and film into sharp, witty collages that question how we archive, own, and consume culture, cementing her status as a foundational figure in experimental sampling.
Yuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.
Raised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade (KUUNATIC, Concierto de la Familia), her solo work resolved in 2019 after she developed an approach to freeform analog noise, releasing her first EP “I” via Indonesian label Gerpfast Kolektif and her debut album “II” via Italian label Commando Vanessa. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.
In April 2021 Australian label Room 40 releases “End Of Trilogy”: the new album pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.
End Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.
End Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.
